Early Life and Career
Ilya Salkind was born August 27, 1947 in Mexico City, Mexico, the son of Berta Dominguez, a Mexican novelist, and producer Alexander Salkind. At the age of one, Salkind was photographed sitting on the lap of Zsa Zsa Gabor. His grandfather, Mikhail Salkind, was one of the pioneers of silent films and produced Joyless Street (1925), featuring then-relatively-unknown Greta Garbo in her first major role. Afterwards, Mikhail, along with Ilya's own father, Alexander Salkind, joined their forces to supervise many successful films, from Orson Welles' The Trial (1962) to Abel Gance's Austerlitz (1959). Beginning in 1969, Ilya Salkind became the third generation of this legendary movie-making dynasty. He and Alexander made numerous films, starting with the international box office hits The Three Musketeers (1973) and its 1974 follow-up, The Four Musketeers films, the first instance of which a major motion picture and its immediate sequel were shot simultaneously.
Read more about this topic: Ilya Salkind
Famous quotes containing the words early, life and/or career:
“With boys you always know where you stand. Right in the path of a hurricane. Its all there. The fruit flies hovering over their waste can, the hamster trying to escape to cleaner air, the bedrooms decorated in Early Bus Station Restroom.”
—Erma Bombeck (20th century)
“To read well, that is, to read true books in a true spirit, is a noble exercise, and one that will task the reader more than any exercise which the customs of the day esteem. It requires a training such as the athletes underwent, the steady intention almost of the whole life to this object.”
—Henry David Thoreau (18171862)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)