Ignacio Burgoa - Works

Works

  • “El Juicio de Amparo” (“The Amparo Trial”), First Edition 1943, 41st Edition 2005
  • “Las Garantias Individuales” (“Constitutional Guarantees”), First Edition 1944, 38th Edition 2005
  • “Derecho Constitucional Mexicano” (“Mexican Constitutional Law”), First Edition 1973, 17th Edition 2005
  • “Diccionario de Derecho Constitucional, Garantías y Amparo”, (Dictionary of Constitucional Law, Guarantees and Amparo), First Edition 1984
  • “Antología de su Pensamiento”, (Anthology of his Thinking), First Edition 1987.
  • “Memorias. Epítome Autobiográfico 1918-1996”, (Memoires), First Edition 1996
  • “El Jurista y el Simulador del Derecho, (The Jurist and the Simulator of Law), First Edition 1988
  • “El Proceso de Cristo, ( ), First Edition 2000
Authority control
  • VIAF: 65249578
Persondata
Name Orihuela, Ignacio Burgoa
Alternative names
Short description Mexican lawyer, professor and writer
Date of birth March 13, 1918
Place of birth
Date of death November 6, 2005
Place of death

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Famous quotes containing the word works:

    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
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    They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.
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    A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.
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