Ig Nobel Prize
The Ig Nobel Prizes are an American parody of the Nobel Prizes and are given each year in early October for ten unusual or trivial achievements in scientific research. The stated aim of the prizes is to "first make people laugh, and then make them think". The awards are sometimes veiled criticism (or gentle satire). Organized by the scientific humor magazine Annals of Improbable Research (AIR), they are presented by a group that includes Nobel Laureates at a ceremony at Harvard University's Sanders Theater, and they are followed by a set of public lectures by the winners at MIT.
The name is a play on the words ignoble ("characterized by baseness, lowness, or meanness") and the Nobel Prize. The pronunciation used during the ceremony is /ˌɪɡnoʊˈbɛl/ IG-noh-BEL, not like the word "ignoble".
Read more about Ig Nobel Prize: History, Ceremony, Outreach, Reception
Famous quotes containing the words nobel prize, nobel and/or prize:
“Parents can fail to cheer your successes as wildly as you expected, pointing out that you are sharing your Nobel Prize with a couple of other people, or that your Oscar was for supporting actress, not really for a starring role. More subtly, they can cheer your successes too wildly, forcing you into the awkward realization that your achievement of merely graduating or getting the promotion did not warrant the fireworks and brass band.”
—Frank Pittman (20th century)
“Parents can fail to cheer your successes as wildly as you expected, pointing out that you are sharing your Nobel Prize with a couple of other people, or that your Oscar was for supporting actress, not really for a starring role. More subtly, they can cheer your successes too wildly, forcing you into the awkward realization that your achievement of merely graduating or getting the promotion did not warrant the fireworks and brass band.”
—Frank Pittman (20th century)
“It is impossible to think of Howard Hughes without seeing the apparently bottomless gulf between what we say we want and what we do want, between what we officially admire and secretly desire, between, in the largest sense, the people we marry and the people we love. In a nation which increasingly appears to prize social virtues, Howard Hughes remains not merely antisocial but grandly, brilliantly, surpassingly, asocial. He is the last private man, the dream we no longer admit.”
—Joan Didion (b. 1934)