Structure
The book begins with a chapter on the art and nature of reading, and is subsequently divided into twenty-two passages. The odd-numbered passages and the final passage are narrated in the second person. That is, they concern events purportedly happening to the novel's reader. (Some contain further discussions about whether the man narrated as "you" is the same as the "you" who is actually reading.) These chapters concern the reader's adventures in reading Italo Calvino's novel, If on a winter's night a traveller. Eventually the reader meets a woman, who is also addressed in her own chapter, separately, and also in the second person.
Alternating between second-person narrative chapters of this story are the remaining (even) passages, each of which is a first chapter in ten different novels, of widely varying style, genre, and subject-matter. All are broken off, for various reasons explained in the interspersed passages, most of them at some moment of plot climax.
The second-person narrative passages develop into a fairly cohesive novel that puts its two protagonists on the track of an international book-fraud conspiracy, a mischievous translator, a reclusive novelist, a collapsing publishing house, and several repressive governments.
The chapters which are the first chapters of different books all push the narrative chapters along. Themes which are introduced in each of the first chapters will then exist in succeeding narrative chapters, such as after reading the first chapter of a detective novel, then the narrative story takes on a few common detective-style themes. There are also phrases and descriptions which will be eerily similar between the narrative and first-chapter chapters.
The ending exposes a hidden element to the entire book, where the actual first-chapter titles (which are the titles of the books that the reader is trying to read) make up a single coherent sentence, which would make a rather interesting start for a book.
The title If on a winter's night a traveller is a good indicator of this novel which is reminiscent of Laurence Sterne's Tristram Shandy. The book commences on a hypothesis of novelistic elements ("If...") on a when, a someone...would do what? According to this book, the entire novel, even its plot, is an open trajectory where even the author himself questions his motives of the writing process. This theme—a writer's objectivity—is also explored in Calvino's novel Mr. Palomar, which explores if absolute objectivity is possible, or even agreeable. Other themes include the subjectivity of meaning (associated with post-structuralism), the relationship between fiction and life, what makes an ideal reader and author, and authorial originality.
Read more about this topic: If On A Winter's Night A Traveler
Famous quotes containing the word structure:
“Women over fifty already form one of the largest groups in the population structure of the western world. As long as they like themselves, they will not be an oppressed minority. In order to like themselves they must reject trivialization by others of who and what they are. A grown woman should not have to masquerade as a girl in order to remain in the land of the living.”
—Germaine Greer (b. 1939)
“The structure was designed by an old sea captain who believed that the world would end in a flood. He built a home in the traditional shape of the Ark, inverted, with the roof forming the hull of the proposed vessel. The builder expected that the deluge would cause the house to topple and then reverse itself, floating away on its roof until it should land on some new Ararat.”
—For the State of New Jersey, U.S. public relief program (1935-1943)
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—Henry David Thoreau (1817–1862)