Poetry
Sayeh published his first collection of poetry while he was still a high school student in the northern province of Gilan, Iran. His total output, however, remains small because of his preoccupation with high craftsmanship and exact phraseology. In the political climate of the 1940s, Sayeh was an ardent advocate of the poetry of social commitment. His own early poetry reveals his concern with purposive literature.
Sayeh has also written a collection of lyrical poems (ghazal) in the classical style. Here, he reveals an easy mastery of traditional forms—the lyrical ode, in particular—which he uses to celebrate both the sacred and the secular moments of life. Sayeh's poetry, at times highly emotional, is always remarkable for its convincing directness and unconcealed sentiment.
Read more about this topic: Hushang Ebtehaj
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—Charles Dickens (18121870)
“Loves the only thing Ive thought of or read about since I was knee-high. Thats what I always dreamed of, of meeting somebody and falling in love. And when that remarkable thing happened, I was going to recite poetry to her for hours about how her hearts an angels wing and her hair the strings of a heavenly harp. Instead I got drunk and hollered at her and called her a harpy.”
—Ben Hecht (18931964)
“Poetrys unnatral; no man ever talked poetry cept a beadle on boxin day, or Warrens blackin or Rowlands oil, or some o them low fellows; never you let yourself down to talk poetry, my boy.”
—Charles Dickens (18121870)