Hoxne Hoard - Burial and Historical Background

Burial and Historical Background

The Hoxne Hoard was buried during a period of great upheaval in Britain, marked by the collapse of Roman authority in the province, the departure of the majority of the Roman army, and the first of a wave of attacks by the Anglo-Saxons. Attacks on Italy by the Visigoths around the turn of the fifth century caused the general Stilicho to recall Roman army units from Rhaetia, Gaul, and Britannia. While Stilicho held off the Visigoth attack, the Western provinces were left defenceless against Suebi, Alans, and Vandals who crossed the frozen Rhine in 406 and overran Gaul. The remaining Roman troops in Britain, fearing that the invaders would cross the Channel, elected a series of emperors of their own to lead the defence.

The first two such emperors were put to death by the dissatisfied soldiery in a matter of months, but the third, who would declare himself Constantine III, led a British force across the English Channel to Gaul in his bid to become Roman Emperor. After scoring victories against the "barbarians" in Gaul, Constantine was defeated by an army loyal to Honorius and beheaded in 411. Meanwhile, Constantine's departure had left Britain vulnerable to attacks from Saxon and Irish raiders.

After 410, Roman histories give little information about events in Britain. Writing in the next decade, Saint Jerome described Britain after 410 as a "province fertile of tyrants", suggesting the collapse of central authority and the rise of local leaders in response to repeated raids by Saxons and others. By 452, a Gaulish chronicler was able to state that some ten years previously "the Britons, which to this time had suffered from various disasters and misfortunes, are reduced by the power of the Saxons".

Read more about this topic:  Hoxne Hoard

Famous quotes containing the words burial, historical and/or background:

    I heard the bell tolled on thy burial day,
    I saw the hearse that bore thee slow away,
    And, turning from my nursery window, drew
    A long, long sigh, and wept a last adieu!
    William Cowper (1731–1800)

    We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
    Bertolt Brecht (1898–1956)

    Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.
    Henry David Thoreau (1817–1862)