Style
Home Made Kazoku usually displays a very up-beat mood in their music, sometimes described by fans as "feel-good music". The pace of the songs may vary from moderately slow and calm to moderately fast and energetic. Following a trend within Japanese pop, the group makes use of English phrases within the music. This use is rather extensive, as nearly every song contains some amount of English. Most songs utilize the language in the refrain as well as in isolated instances throughout a song.
The subject matter of the music usually concerns love, family, peace, harmonious communication with others, fun, and summer festivities. Additionally, most of the music videos seem to take place in the spring or summer, hearkening back to their up-beat mood and liveliness.
When asked what they want listeners to take away from hearing their music, they responded saying that no matter where you come from or the color of your skin, we are all one big family. When asked which American artist they would most like to collaborate with, the group showed interest primarily in hip-hop and pop artists. Micro would most like to work with The Black Eyed Peas, Kuro with Stevie Wonder and U-ICHI with Jay-Z.
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Famous quotes containing the word style:
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)
“In comedy, the witty style wins out over every mishap of the plot.”
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“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)