Style
Home Made Kazoku usually displays a very up-beat mood in their music, sometimes described by fans as "feel-good music". The pace of the songs may vary from moderately slow and calm to moderately fast and energetic. Following a trend within Japanese pop, the group makes use of English phrases within the music. This use is rather extensive, as nearly every song contains some amount of English. Most songs utilize the language in the refrain as well as in isolated instances throughout a song.
The subject matter of the music usually concerns love, family, peace, harmonious communication with others, fun, and summer festivities. Additionally, most of the music videos seem to take place in the spring or summer, hearkening back to their up-beat mood and liveliness.
When asked what they want listeners to take away from hearing their music, they responded saying that no matter where you come from or the color of your skin, we are all one big family. When asked which American artist they would most like to collaborate with, the group showed interest primarily in hip-hop and pop artists. Micro would most like to work with The Black Eyed Peas, Kuro with Stevie Wonder and U-ICHI with Jay-Z.
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Famous quotes containing the word style:
“If the British prose style is Churchillian, America is the tobacco auctioneer, the barker; Runyon, Lardner, W.W., the traveling salesman who can sell the world the Brooklyn Bridge every day, can put anything over on you and convince you that tomatoes grow at the South Pole.”
—Ishmael Reed (b. 1938)
“To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human bodyboth go together, they cant be separated.”
—Jean-Luc Godard (b. 1930)
“Compare the history of the novel to that of rock n roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. Material Differences, Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)