Holocaust Literature - Music

Music

Inmates at the Terezín concentration camp during World War II composed the music on Terezín: The Music 1941-44. It contains chamber music by Gideon Klein, Viktor Ullmann, and Hans Krása, the children's opera Brundibár by Krása, and songs by Ullmann and Pavel Haas. All the composers died in Auschwitz concentration camp in 1944, except for Klein, who died the following year in Fürstengrube. Many of the works were written at the end of their lives, in 1943 and 1944. The CDs were released in 1991.

The songs that were created during the Holocaust in ghettos, camps, and partisan groups tell the stories of individuals, groups and communities in the Holocaust period and were a source of unity and comfort, and later, of documentation and remembrance.

The massacre of Jews at Babi Yar inspired a poem written by a Russian poet Yevgeny Yevtushenko which was set to music by Dmitri Shostakovich in his Symphony No. 13.

In 1984, Canadian rock band Rush recorded the song "Red Sector A" on the album Grace Under Pressure. The song is particularly notable for its allusions to The Holocaust, inspired by Geddy Lee's memories of his mother's stories about the liberation of Bergen-Belsen, where she was held prisoner.

In 1988, Steve Reich composed Different Trains, a three-movement piece for string quartet and tape. In the second movement, Europe — During the War, three Holocaust survivors (identified by Reich as Paul, Rachel, and Rachella) speak about their experiences in Europe during the war, including their train trips to concentration camps. The third movement, After the War, features Holocaust survivors talking about the years immediately following World War II.

There is a concept album based on the Holocaust; Kaddish, by Towering Inferno.

In Pink Floyd's album The Wall, one of the record's tracks is titled "Waiting for the Worms". This song is set in the middle of the time the main character, Pink, has become a neo-nazi, and the head of a fascist group. The song seems to be set in a march down a main street in Brixton, England, with Pink singing/saying the lyrics through a megaphone. One of the lyrics from the song is, "Waiting! For the final solution to strengthen the strain!"

In 2007, composer Lior Navok composed "And The Trains Kept Coming..." (Slavery Documents no.3) for narrators, soloists, choir and orchestra, based on real documents, correspondence between the allies, train schedules and last letters. It was premiered in Boston, by the Cantata Singers, David Hoose, music director.