Dance
The subject of the Holocaust has been dealt with in modern dance. Some dances illustrate the feeling of being trapped and having nowhere to go. In 1961 Anna Sokolow, a Jewish-American choreographer, created her piece "Dreams". It was an attempt to deal with her night terrors. Eventually it became a memoire to the horrors of the Holocaust. In this dance, the dancers stand still, each one clasping a balled fist with the other hand, trying to pull them apart but with no success.
This same feeling of being trapped and enslaved is illustrated also in one of Pilobolus dances, "Selection". In Selection, one of the dancers approaches a dancing couple, separating them by his cane and snatching the woman away from her partner’s arms.
In Rami Be’er’s "Aide Memoire" (Hebrew title: Zichron Dvarim), he tried to illustrate the feeling of being “trapped.” The dancers move ecstatically, trapped in their personal turmoil, spinning while swinging their arms and legs, and banging on the wall; some are crucified, unable to move freely on the stage. This piece is performed by KCDC (the Kibbutz Contemporary Dance Company)
Read more about this topic: Holocaust Literature
Famous quotes containing the word dance:
“When my old wife lived, upon
This day she was both pantler, butler, cook,
Both dame and servant, welcomed all, served all,
Would sing her song and dance her turn, now here
At upper end o’the table, now i’the middle,
On his shoulder, and his, her face afire
With labor, and the thing she took to quench it
She would to each one sip.”
—William Shakespeare (1564–1616)
“What do you do in the Grand Hotel? Eat, sleep, loaf around, flirt a little, dance a little. A hundred doors leading to one hall. No one knows anything about the person next to them. And when you leave, someone occupies your room, lies in your bed. That’s the end.”
—William A. Drake (1900–1965)
“They dance between their arclamps and our skull,
Impose their shots, showing the nights away....”
—Dylan Thomas (1914–1953)