Production History
The series premiered on July 10, 2005 with a 1.9 (cable Nielsen rating), representing the largest audience for a VH1 premiere ever at that time. It began airing on CMT in early 2006 and also airs on Viva, MTV and Bio. in the UK and Ireland, TVtropolis in Canada, MusiquePlus in French Canadian (in French, the show is Hogan a raison, "Hogan is right"), Both VH1 (Seasons 1 - 3) and MTV (Season 4) in Australia, MTV Italia in Italy (in English with Italian subtitles), MTV Central in Germany and Austria (in English with German subtitles), VH1, MTV Portugal in Portugal (in English with Portuguese subtitles), in The Netherlands on MTV Netherlands with Dutch subtitles and in India on VH1, in France on Game one (le monde merveilleux de Hulk Hogan, "The Wonderful World of Hulk Hogan"), C4 and The Box in New Zealand. in Norway both on MTV Norway and VH1 with Norwegian subtitles, in Latin America with Spanish subtitles on VH1 (in Spanish, the show is Papá Hogan a la Lucha!) and in Brazil with Portuguese subtitles on VH1 (the show is called Papai Hogan Sabe Tudo or "'Daddy Hogan Knows Best'"). In Finland with Finnish subtitles on Sub and MTV Finland (the show is called Hurjat Hoganit, Furious Hogans).
The show was originally pitched and offered to Hulk Hogan prior to his famous WrestleMania X8 "Icon vs. Icon" match with The Rock in 2002. It chronicled Hogan's return to the World Wrestling Entertainment after the demise of the World Championship Wrestling and surgery on both of his knees. Hogan declined. However, after later noticing the success of pop stars such as Hilary Duff and Britney Spears, Hogan accepted a deal to do the show as a way to help promote daughter Brooke's singing career. In the episode "Hulkamania Forever", Hulk also mentions that the family has no source of income as lawyer & music studio bills in excess of $200,000 had come in recently.
Read more about this topic: Hogan Knows Best
Famous quotes containing the words production and/or history:
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)