Hjalmar Bergman

Hjalmar Bergman

Hjalmar Fredrik Elgérus Bergman (19 September 1883 in Örebro, Sweden – 1 January 1931 in Berlin, Germany) was a Swedish writer and playwright.

The son of a banker in Örebro, Bergman briefly studied philosophy at Uppsala University but soon broke off his studies and took up the life of a free writer. He married Stina Lindberg, the daughter of actor and stage producer August Lindberg. Up to his father's death in 1915 Bergman was heavily sponsored by the family patriarch; after the old man died from a stroke it turned out that the family business had become highly indebted and Bergman was forced to start making money out of his writing and court readers in a more outgoing and more entertaining manner. He rose to the challenge and in the following ten years reached the peak of his work.

Much of his output takes place in a small town in mid-Sweden, which is growing into a parallel universe in a Balzacian manner. The shameful secrets of a dozen of interwoven families gradually come out of the closet as the stories grow increasingly symbolic. A pessimistic outlook is always counterbalanced by a grotesque humour - indeed in a book like Markurells i Wadköping the latter almost succeeds in completely shading the former.

After an unsuccessful bout as a manuscript writer in Hollywood Bergman's alcoholism and narcotics abuse took over, from which he died prematurely; his final novel Clownen Jac mirrors his awareness of his drift into self-destruction as well as his belief in the honesty and purpose of artistic spectacle.

Read more about Hjalmar Bergman:  Works

Famous quotes containing the words hjalmar and/or bergman:

    Come Vitus, are we men, or are we children? Of what use are all these melodramatic gestures? You say your soul was killed, and that you have been dead all these years. And what of me? Did we not both die here in Marmaros fifteen years ago? Are we any the less victims of the war than those whose bodies were torn asunder? Are we not both the living dead?
    Peter Ruric, and Edgar G. Ulmer. Hjalmar Poelzig (Boris Karloff)

    Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
    —Ingmar Bergman (b. 1918)