History of Sonata Form

History Of Sonata Form

This article treats the history of form in the Baroque, Classical, Romantic, and Modern eras. For a definition of sonata form, see Sonata Form. For an account of critical thought as it relates to sonata form, see Criticism and sonata form. For discussion of works entitled or called sonata see Sonata.

Sonata form is one of the most influential ideas in the history of Western classical music. Since the establishment of the practice by composers like C.P.E. Bach, Haydn, Mozart, Beethoven, and Schubert and the codification of this practice into teaching and theory, the practice of writing works in sonata form has changed considerably.

Read more about History Of Sonata Form:  Late Baroque Era (ca 1710 – Ca 1750), Classical Era (ca 1750 – Ca 1820), Romantic Era (ca 1804 – Ca 1910), Modern Era

Famous quotes containing the words history of, history and/or form:

    “We are told that men protect us; that they are generous, even chivalric in their protection. Gentlemen, if your protectors were women, and they took all your property and your children, and paid you half as much for your work, though as well or better done than your own, would you think much of the chivalry which permitted you to sit in street-cars and picked up your pocket- handkerchief?”
    —Mary B. Clay, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 3, by Susan B. Anthony and Ida Husted Harper (1902)

    “False history gets made all day, any day,
    the truth of the new is never on the news
    False history gets written every day
    ...
    the lesbian archaeologist watches herself
    sifting her own life out from the shards she’s piecing,
    asking the clay all questions but her own.”
    —Adrienne Rich (b. 1929)

    “Quite generally, the familiar, just because it is familiar, is not cognitively understood. The commonest way in which we deceive either ourselves or others about understanding is by assuming something as familiar, and accepting it on that account; with all its pros and cons, such knowing never gets anywhere, and it knows not why.... The analysis of an idea, as it used to be carried out, was, in fact, nothing else than ridding it of the form in which it had become familiar.”
    —Georg Wilhelm Friedrich Hegel (1770–1831)