Contemporary Science Fiction and Its Future
See also: PostcyberpunkContemporary science fiction has been marked by the spread of cyberpunk to other parts of the marketplace of ideas. No longer is cyberpunk a ghettoized tribe within science fiction, but an integral part of the field whose interactions with other parts have been the primary theme of science fiction around the start of the 21st century.
Notably, cyberpunk has influenced film, in works such as Johnny Mnemonic and The Matrix series, in anime such as Akira and Ghost in the Shell, and the emerging medium of video games, with the critically acclaimed Deus Ex and Metal Gear series. This entrance of cyberpunk into mainstream culture has led to the introduction of cyberpunk's stylistic motifs to the masses, particularly the cyberpunk fashion style.
Emerging themes in the 1990s included environmental issues, the implications of the global Internet and the expanding information universe, questions about biotechnology and nanotechnology, as well as a post-Cold War interest in post-scarcity societies; Neal Stephenson's The Diamond Age comprehensively explores these themes. Lois McMaster Bujold's Vorkosigan novels brought the character-driven story back into prominence.
The cyberpunk reliance on near-future science fiction has deepened. In William Gibson's 2003 novel, Pattern Recognition, the story is a cyberpunk story told in the present, the ultimate limit of the near-future extrapolation.
Cyberpunk's ideas have spread in other directions, though. Space opera writers have written work featuring cyberpunk motifs, including David Brin's Kiln People and Ken MacLeod's Fall Revolution series. This merging of the two disparate threads of science fiction in the 1980s has produced an extrapolational literature in contrast to those technological stories told in the present.
John Clute writes that science fiction around the start of the 21st century can be understood in two ways: "a vision of the triumph of science fiction as a genre and as a series of outstanding texts which figured to our gaze the significant futures that, during those years, came to pass ... ... indecipherable from the world during those years ... fatally indistinguishable from the world it attempted to adumbrate, to signify."
Read more about this topic: History Of Science Fiction/rewrite
Famous quotes containing the words contemporary, science, fiction and/or future:
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)
“You are all fundamentalists with a top dressing of science. That is why you are the stupidest of conservatives and reactionists in politics and the most bigoted of obstructionists in science itself. When it comes to getting a move on you are all of the same opinion: stop it, flog it, hang it, dynamite it, stamp it out.”
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“Individual science fiction stories may seem as trivial as ever to the blinder critics and philosophers of today—but the core of science fiction, its essence ... has become crucial to our salvation if we are to be saved at all.”
—Isaac Asimov (1920–1992)
“And all your future lies beneath your hat.”
—John Oldham (1653–1683)