Historical Revisionism (negationism)
Historical revisionism is either the legitimate scholastic re-examination of existing knowledge about a historical event, or the illegitimate distortion of the historical record such that certain events appear in a more or less favourable light. For the former, i.e. the academic pursuit, see historical revisionism. This article deals solely with the latter, the distortion of history, which—if it constitutes the denial of historical crimes—is also sometimes called negationism.
In attempting to revise the past, illegitimate historical revisionism appeals to the intellect—via techniques illegitimate to historical discourse—to advance a given interpretive historical view, typically involving war crimes or crimes against humanity. The techniques include presenting known forged documents as genuine; inventing ingenious, but implausible, reasons for distrusting genuine documents; attributing his or her own conclusions to books and sources reporting the opposite; manipulating statistical series to support the given point of view; and deliberately mis-translating texts (in languages other than the revisionist's). Practical examples of negationism (illegitimate historical revisionism) include Holocaust denial and some Soviet historiography. Contemporarily, hate groups practice negationism on the Internet. In literature, the effects of historical revisionism are usually described in science fiction novels such as Nineteen Eighty-Four (1949), by George Orwell. Moreover, some countries have criminalised the negationist revision of certain historical events.
Read more about Historical Revisionism (negationism): Reasons For Revisionism, Revisionist Techniques, Ramifications and Judicature
Famous quotes containing the word historical:
“Some of us still get all weepy when we think about the Gaia Hypothesis, the idea that earth is a big furry goddess-creature who resembles everybody’s mom in that she knows what’s best for us. But if you look at the historical record—Krakatoa, Mt. Vesuvius, Hurricane Charley, poison ivy, and so forth down the ages—you have to ask yourself: Whose side is she on, anyway?”
—Barbara Ehrenreich (b. 1941)