Historical Atlas of World Mythology

The Historical Atlas of World Mythology is a multi-volume series of books by Joseph Campbell that traces developments in humankind's mythological symbols and stories from pre-history forward.

Campbell is perhaps best known as a comparativist who focused on universal themes and motifs in human culture. He first conceived of the Historical Atlas in the late 1970s as an extension of his works, The Mythic Image and The Masks of God. Like those books, the Historical Atlas of World Mythology intended to show the ways in which those universal themes and motifs were expressed differently by different cultures in different times and places.

Heavily illustrated and annotated, with numerous charts and maps to show both variations and similarities in different cultures' expressions of mythic themes, this series was intended to serve both academic and lay readers.

The Historical Atlas was left incomplete when Campbell died in 1987.

Read more about Historical Atlas Of World Mythology:  Summary, Publishing History, See Also

Famous quotes containing the words historical, atlas, world and/or mythology:

    The proverbial notion of historical distance consists in our having lost ninety-five of every hundred original facts, so the remaining ones can be arranged however one likes.
    Robert Musil (1880–1942)

    A big leather-bound volume makes an ideal razorstrap. A thin book is useful to stick under a table with a broken caster to steady it. A large, flat atlas can be used to cover a window with a broken pane. And a thick, old-fashioned heavy book with a clasp is the finest thing in the world to throw at a noisy cat.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    The world was a huge ball then, the universe a might harmony of ellipses, everything moved mysteriously, incalculable distances through the ether.
    We used to feel the awe of the distant stars upon us. All that led to was the eighty-eight naval guns, ersatz, and the night air-raids over cities. A magnificent spectacle.
    After the collapse of the socialist dream, I came to America.
    John Dos Passos (1896–1970)

    Love, love, love—all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness.
    Germaine Greer (b. 1939)