Definition
Contributing properties are defined through historic district or historic preservation zoning laws, usually at the local level. Zoning ordinances pertaining to historic districts are designed to maintain a district's historic character by controlling demolition and alteration to existing properties. In historic preservation law, a contributing property is any building, structure, object or site within the boundaries of the district which contributes to its historic associations, historic architectural qualities or archaeological qualities of a historic district. It can be any property, structure or object that adds to the historic integrity or architectural qualities that make the historic district, either local or federal, significant. Definitions vary but, in general, they maintain the same characteristics. Another key aspect of a contributing property is historic integrity. Significant alterations to a property can sever its physical connections with the past, lowering its historic integrity. Contributing properties are integral parts of the historic context and character of a historic district. A property listed as a contributing member of a historic district meets National Register criteria and qualifies for all benefits afforded a property or site listed individually on the National Register.
Read more about this topic: Historic District Contributing Properties
Famous quotes containing the word definition:
“According to our social pyramid, all men who feel displaced racially, culturally, and/or because of economic hardships will turn on those whom they feel they can order and humiliate, usually women, children, and animals—just as they have been ordered and humiliated by those privileged few who are in power. However, this definition does not explain why there are privileged men who behave this way toward women.”
—Ana Castillo (b. 1953)
“The man who knows governments most completely is he who troubles himself least about a definition which shall give their essence. Enjoying an intimate acquaintance with all their particularities in turn, he would naturally regard an abstract conception in which these were unified as a thing more misleading than enlightening.”
—William James (1842–1910)
“The very definition of the real becomes: that of which it is possible to give an equivalent reproduction.... The real is not only what can be reproduced, but that which is always already reproduced. The hyperreal.”
—Jean Baudrillard (b. 1929)