Mythology
Sadly, much has been written about Durrington Mill, (now called High Salvington Mill), which has found its way into official records and publications, but for which the original research appears to be lacking. This section attempts to dispel a number of these myths.
When the economics of wind and water-powered mill was undermined by new, steam-powered roller mills, millers of the old school had to find new ways to make a living. At High Salvington, the miller's wife, who was regularly asked for a glass of water by tourists who had toiled up the hill, hit upon the idea of offering a cup of tea and charging for this service. Thus was the High Salvington Windmill tea-room initiated. After miller Scutt's suicide, subsequent "millers" chose to emphasise the Mill as a tourist attraction and made money by charging for refreshments and to climb the steps to look at the mill and its machinery. While this contributed to keeping the mill and its machinery intact, the "millers" elaborated and embellished the known history of the mill, and thus an extensive body of mythology was created to attract and excite visitors. These myths often have been quoted and cited, as various millers lent credence to their stories by publishing them in leaflets, available to the visiting public.
Read more about this topic: High Salvington Windmill
Famous quotes containing the word mythology:
“The Anglo-American can indeed cut down, and grub up all this waving forest, and make a stump speech, and vote for Buchanan on its ruins, but he cannot converse with the spirit of the tree he fells, he cannot read the poetry and mythology which retire as he advances. He ignorantly erases mythological tablets in order to print his handbills and town-meeting warrants on them.”
—Henry David Thoreau (1817–1862)
“Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.”
—Roland Barthes (1915–1980)
“It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past.... Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.”
—George Steiner (b. 1929)