Description
The park extends from Gansevoort Street north to 30th Street where the elevated tracks turn west around the Hudson Yards development project to the Javits Convention Center on 34th Street. Open daily from 7 am to 10 pm, the park can be reached through nine entrances, four of which are accessible to people with disabilities.
The park's attractions include naturalized plantings that are inspired by the self-seeded landscape that grew on the disused tracks and new, often unexpected views of the city and the Hudson River. Pebble-dash concrete walkways unify the trail, which swells and constricts, swinging from side to side, and divides into concrete tines that meld the hardscape with the planting embedded in railroad gravel mulch. Stretches of track and ties recall the High Line's former use. Portions of track are adaptively re-used for rolling lounges positioned for river views. Most of the planting, which includes 210 species, is of rugged meadow plants, including clump-forming grasses, liatris and coneflowers, with scattered stands of sumac and smokebush, but not limited to American natives. At the Gansevoort end, a grove of mixed species of birch already provides some dappled shade by late afternoon. Ipê timber for the built-in benches has come from a managed forest certified by the Forest Stewardship Council, to ensure sustainable use and the conservation of biological diversity, water resources and fragile ecosystems.
The High Line has cultural attractions as well as its integrated architecture and plant life. As part of a long-term plan for the park to host temporary installations and performances of various kinds, Creative Time, Friends of the High Line, and the New York City Department of Parks and Recreation commissioned The River That Flows Both Ways by Spencer Finch as the inaugural art installation. The work is integrated into the window bays of the former Nabisco Factory loading dock, as a series of 700 purple and grey colored glass panes. Each color is exactly calibrated to match the center pixel of 700 digital pictures, one taken every minute, of the Hudson River, therefore presenting an extended portrait of the river that gives the work its name. Creative Time worked with the artist to realize the site-specific concept, which emerged when he saw the rusted, disused mullions of the old factory, which metal and glass specialists Jaroff Design helped to prepare and reinstall. The summer of 2010 featured a sound installation by Stephen Vitiello, composed from bells heard through New York. Lauren Ross, formerly director of the alternative art space White Columns, is serving as the first curator for the High Line.
Read more about this topic: High Line (New York City)
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