Critical Reception
Jeannette Catsoulis, film critic for The New York Times liked the film, especially the acting of Valeria Bertuccelli and Ingrid Rubio, and wrote, "Though constrained by a directing style that insists on coloring within the lines, the movie is most successful in the rocky emotional spaces in which the sisters renegotiate their relationship and in which Elena, struggling with English, endures the painful process of assimilation...both actresses make their director look very good indeed."
In the same vein, Jonathan Holland, film critic for Variety magazine, appreciated the acting but gave the film a mixed review and wrote, "The political skeleton of 1970's Argentina rolls out of the closet to mostly positive effect in Julia Solomonoff's Sisters, a solidly-built but somewhat airless debut from the assistant director of The Motorcycle Diaries. The complex plot doesn't fully exploit the possibilities for suspense, but first-class perfs, great atmospherics and an upbeat message combine to make the pic work better as a sibling drama than as a thriller."
Critic V.A. Mesetto thought the screenplay was predictable but also likes the acting, and wrote, "Solomonoff draws out vivid performances by Valeria Bertuccelli (Elena) and Ingrid Rubio (Natalia) that make up for the script's predictability."
Film critic Ed Gonzalez wrote, "Solomonoff doesn't strike very interesting contrasts between past and present, but her actresses certainly do: Rubio and Bertucelli express how resentment eats away at their characters' sisterhood so richly that the many flashbacks to Argentina, shot uninterestingly in gritty hand-held gestures, seem almost unnecessary."
Read more about this topic: Hermanas
Famous quotes containing the words critical and/or reception:
“A third variety of drama ... begins as tragedy with scraps of fun in it ... and ends in comedy without mirth in it, the place of mirth being taken by a more or less bitter and critical irony.”
—George Bernard Shaw (1856–1950)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)