Henry Peach Robinson - Works

Works

Although he wasn't one of the most prominent art photographers of his day, he is now often considered conventional, even academic. His third and the most famous composite picture, "Fading Away" (1858) was both popular and fashionably morbid. He was a follower of the pre-Raphaelites and was influenced by the aesthetic views of John Ruskin. In his Pre-Raphaelite phase he attempted to realise moments of timeless significance in a "mediaeval" setting, anticipating the work of Julia Margaret Cameron, Burne-Jones and the Symbolists. According to his letters, he wasn't really influenced by the paintings of J.M.W. Turner.

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