Modern Culture
In 1939, a popular film called Stanley and Livingstone was released, with Spencer Tracy as Stanley and Cedric Hardwicke as Livingstone.
Stanley appears as a character in Simon Gray's 1978 play The Rear Column, which tells the story of the men left behind to wait for Tippu Tib while Stanley went on to relieve Emin Pasha.
An NES game based on his life was released in 1992 called "Stanley: The Search for Dr. Livingston".
In 1997, a made-for-television film, Forbidden Territory: Stanley's Search for Livingstone, was produced by National Geographic. Stanley was portrayed by Aidan Quinn and Livingstone was portrayed by Nigel Hawthorne.
Stanley Electric Co., Ltd. of Japan, uses Stanley's family name in honour of his discoveries "that have brought light into many spots of the world undiscovered and hitherto unknown to mankind". The company produces light emitting diodes, liquid crystal displays, and lamps.
His great grandson, Richard Stanley, is a South African filmmaker and directs documentaries.
There is a hospital in St. Asaph, north Wales named after Stanley in honour of his birth in the area. It was the former workhouse in which he spent much of his early life. memorials to H M Stanley have recently been erected in St Asaph (which has caused local controversy for being phallic-shaped) and in Denbigh (a statue of H M Stanley with an outstretched hand).
In 1971 the BBC produced a six-part dramatised documentary series, Search for the Nile. Much of the series was shot on location, with Stanley played by Keith Buckley.
The 2009 History Channel series, Expedition Africa, documents a group of explorers attempting to traverse the route of Stanley's expedition in search of Livingstone.
Read more about this topic: Henry Morton Stanley
Famous quotes containing the words modern and/or culture:
“The uselessness and expensiveness of modern women multiply bachelors.”
—Samuel Richardson (1689–1761)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)