Biography
Henri Verneuil was born Ashod Malakian to Armenian parents in Rodosto, East Thrace, Turkey. When Ashod was a little child his family moved to France and settled in Marseille. He later recounted his childhood experience in the novel Mayrig, which he dedicated to his mother and made into a 1991 film with the same name, which was followed by a sequel, 588 Rue Paradis, the following year.
Henri Verneuil entered the Ecole Nationale d'Arts et Metiers in Aix-en-Provence in 1942. After graduation, he worked as a journalist, then became editor of Horizon Armenian magazine.
In 1947 Henri Verneuil managed to convince the established European film actor Fernandel to appear in his first film. Later he also directed other movie stars including Jean Gabin, Yves Montand, Alain Delon, Lino Ventura (all together acting for him in "Le clan des siciliens" in 1969 ), Jean-Paul Belmondo ("Le Corps de mon ennemi" in 1976 and other films), Omar Sharif, Claudia Cardinale (Mayrig) and Michèle Morgan. Henri Verneuil has filmed almost all the great figures of French cinema, with the exception of Bourvil, as even Louis de Funes has a small role in one of his films.
After the American experience (he was called the "most American of French directors"), in 1969 Verneuil "found" France. He was awarded a César in 1996 and he was elected a member of the Academy of Fine Arts in 2000.
He died at Bagnolet in 2002.
The opening of the seventh annual Golden Apricot International Film Festival in Yerevan paid tribute to Henri Verneuil. His son, television director Patrick Malakian, who reclaimed the name of his historical ancestors, received the posthumous award, the Parajanov’s Thaler, for his father’s contribution to cinema.
Read more about this topic: Henri Verneuil
Famous quotes containing the word biography:
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)
“The best part of a writer’s biography is not the record of his adventures but the story of his style.”
—Vladimir Nabokov (1899–1977)