History of Hemispherical Photography
The hemispherical lens (also known as a fisheye or whole-sky lens) was originally designed by Robin Hill (1924) to view the entire sky for meteorological studies of cloud formation. Foresters and ecologists conceived of using photographic techniques to study the light environment in forests by examining the canopy geometry. In particular, Evans and Coombe (1959) estimated sunlight penetration through forest canopy openings by overlaying diagrams of the sun track on hemispherical photographs. Later, Margaret Anderson (1964, 1971) provided a thorough theoretical treatment for calculating the transmission of direct and diffuse components of solar radiation through canopy openings using hemispherical photographs. At that time hemispherical photograph analysis required tedious manual scoring of overlays of sky quadrants and the track of the sun. With the advent of personal computers, researchers developed digital techniques for rapid analysis of hemispherical photographs (Chazdon and Field 1987, Rich 1988, 1989, 1990, Becker et al. 1989). In recent years, researchers have started using digital cameras in favor of film cameras, and algorithms are being developed for automated image classification and analysis. Various commercial software programs have become available for hemispherical photograph analysis, and the technique has been applied for diverse uses in ecology, meteorology, forestry, and agriculture.
Read more about this topic: Hemispherical Photography
Famous quotes containing the words history of, history and/or photography:
“It gives me the greatest pleasure to say, as I do from the bottom of my heart, that never in the history of the country, in any crisis and under any conditions, have our Jewish fellow citizens failed to live up to the highest standards of citizenship and patriotism.”
—William Howard Taft (1857–1930)
“To a surprising extent the war-lords in shining armour, the apostles of the martial virtues, tend not to die fighting when the time comes. History is full of ignominious getaways by the great and famous.”
—George Orwell (1903–1950)
“If photography is allowed to stand in for art in some of its functions it will soon supplant or corrupt it completely thanks to the natural support it will find in the stupidity of the multitude. It must return to its real task, which is to be the servant of the sciences and the arts, but the very humble servant, like printing and shorthand which have neither created nor supplanted literature.”
—Charles Baudelaire (1821–1867)