Heart To Yours - Background and Production

Background and Production

Williams began her singing career as a backing vocalist for R&B singer Monica in 1999 before joining Destiny's Child with Farrah Franklin (who would later leave) alongside original members Beyoncé Knowles and Kelly Rowland, replacing former members LeToya Luckett and LaTavia Roberson to much controversy in 2000.

In late 2000, while recording their third album, Survivor, Destiny's Child revealed that they would produce solo albums to be released "simultaneously" in the "hope" that they would "boost interest in Destiny's Child". Describing the stylistic differences of the albums' directions, Knowles said "We're going to all do different types of music and support each other's album" before saying "hopefully it will broaden our audience, so it will help us all out". The idea of individual releases emanated from the group's manager and Knowles' father, Mathew. After the release of Survivor, the group announced in late 2001 a temporary break-up to focus on solo projects, including working on their own albums. Before undertaking their respective solo projects, the group released a Christmas album, 8 Days of Christmas.

Williams worked in the studio with several musical collaborators, including Scott “Shavoni” Parker, Damon Elliott, Warren Campbell and gospel producer HR Crump. Williams' brother, Erron Williams, also produced some of the tracks on the album. Williams also co-wrote five of the songs. In speaking with Billboard about the album and its artistic direction, Williams said, "some people will do gospel when their career fails, but I chose to do it at the height of the popularity of Destiny's Child,". Williams explained, " I didn't want to do it because it was a fad. I wanted to do it because it's in me. It's in my heart."

Read more about this topic:  Heart To Yours

Famous quotes containing the words background and/or production:

    Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.
    Henry David Thoreau (1817–1862)

    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)