Hard Space

In typesetting and text editors, the term hard space has several meanings, all related to a special way of representing the space between characters.

  • The most commonly used meaning is the same as non-breaking space, a special space character used by a word processor that forbids an automatic line breaking (line wrap) at its position.
  • In earlier days of text editors that worked with text mode CRT displays, when a paragraph had to be justified, this was achieved by means of inserting extra soft spaces at whitespaces. The soft spaces were so called because they could be "compressed" away during further editing. By contrast, ordinary spaces were called hard or incompressible spaces.
  • Also, in some older text editors, the hard spaces were both non-expandable—i.e., no soft spaces could be added to them—and non-breaking ones.
  • In many term programs and game parsers, a hard space was a special kind of field delimiter, against which a filename could be examined or listed, or a semantic thought or consideration could be interpreted.
  • In the Commodore directory system, a hard space usually terminated the spelling of a filename, and was replaced with a quotation mark when listed to the user.

Famous quotes containing the words hard and/or space:

    If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be by Christian example? Why, revenge. The villainy you teach me, I will execute, and it shall go hard but I will better the instruction.
    William Shakespeare (1564–1616)

    To play is nothing but the imitative substitution of a pleasurable, superfluous and voluntary action for a serious, necessary, imperative and difficult one. At the cradle of play as well as of artistic activity there stood leisure, tedium entailed by increased spiritual mobility, a horror vacui, the need of letting forms no longer imprisoned move freely, of filling empty time with sequences of notes, empty space with sequences of form.
    Max J. Friedländer (1867–1958)