Hans Ruesch - Writing and Film Career

Writing and Film Career

In the late 1930s, Ruesch moved to the United States, publishing short fiction in popular magazines. In 1946, he returned to Naples to continue writing. His most popular novels include Top of the World (Harper, 1950), The Racer (Ballantine, 1953), and South of the Heart: A Novel of Modern Arabia (Coward-McCann, 1957).

In The New York Times Book Review review of Top of the World, Max Eastman called Mr. Ruesch "a born storyteller," and the novel is "a brilliant feat of poetic imagination." Ironically, Hans Ruesch had never seen an Eskimo. He based his story on the Oscar-winning film Eskimo (1933), directed by W.S. van Dyke.

Director Nicholas Ray wrote the screenplay for the movie of Ruesch’s novel, Top of the World. It debuted in Europe under the name, Les Dents du Diable. In 1961, it was released in the United States as The Savage Innocents. Anthony Quinn starred as Inuk, an Inuit Eskimo, who has had little contact with white men. At a trading post, Inuk accidentally kills a missionary, who insulted him by refusing the traditional Inuit (sexual) hospitality of wife-sharing. Inuk is pursued by a Javert-like police trooper, Peter O’Toole, in his first movie role. Mr. O'Toole refused to be credited with this movie, because his voice was dubbed. This movie was nominated for the Golden Palm award at the 1960 Cannes Film Festival.

Drawing on his experiences in European auto racing, Ruesch wrote the novel The Racer. It was released as the film The Racers (1955). Kirk Douglas starred as Gino Borgesa, a reckless Formula One driver, ensnared by speed, adrenaline, and a Hollywood 1950s romance. The movie was shot at several classic circuits, including Monaco, the Nürburgring, the Mille Miglia, and Circuit de Spa-Francorchamps, with the climactic race at Reims-Gueux.

Read more about this topic:  Hans Ruesch

Famous quotes containing the words writing, film and/or career:

    In writing songs I’ve learned as much from Cézanne as I have from Woody Guthrie.
    Bob Dylan [Robert Allen Zimmerman] (b. 1941)

    A good film script should be able to do completely without dialogue.
    David Mamet (b. 1947)

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)