Influence and Critical Reaction
Solo is a reckless smuggler with a sarcastic wit; he is "a very practical guy" and considers himself "a materialist"; but the adventures in the first Star Wars movie evoke his compassion, a trait "he didn't know he possessed".
The American Film Institute ranked Solo as the 14th greatest film hero. He was also deemed the 4th greatest movie character of all-time by Empire magazine. Entertainment Weekly ranked the character 7th on their list of The All-Time Coolest Heroes in Pop Culture. On their list of the 100 Greatest Fictional Characters, Fandomania.com ranked Solo at number 15. IGN listed Han Solo as the second greatest Star Wars character of all time (behind Darth Vader), as well as listing him as one of the top 10 characters who most needed a spin-off, saying he was "Arguably the coolest character in the Star Wars universe".
Prince of Persia producer Ben Mattes explained that their "inspiration was anything Harrison Ford has ever done: Indiana Jones, Han Solo". The Japanese manga and anime anti-hero Space Adventure Cobra has been compared by reviewers to Solo. In preparing to play James T. Kirk for the 2009 Star Trek film, Chris Pine drew inspiration from Ford's depictions of Solo and Indiana Jones, highlighting their humor and "accidental hero" traits.
Read more about this topic: Han Solo
Famous quotes containing the words influence and, influence, critical and/or reaction:
“... even I am growing accustomed to slavery; so much so that I cease to think of its accursed influence and calmly eat from the hands of the bondman without being mindful that he is such. O, Slavery, hateful thing that thou art thus to blunt the keen edge of conscience!”
—Susan B. Anthony (1820–1907)
“At present cats have more purchasing power and influence than the poor of this planet. Accidents of geography and colonial history should no longer determine who gets the fish.”
—Derek Wall (b. 1965)
“Somewhere it is written that parents who are critical of other people’s children and publicly admit they can do better are asking for it.”
—Erma Bombeck (20th century)
“An actor must communicate his author’s given message—comedy, tragedy, serio- comedy; then comes his unique moment, as he is confronted by the looked-for, yet at times unexpected, reaction of the audience. This split second is his; he is in command of his medium; the effect vanishes into thin air; but that moment has a power all its own and, like power in any form, is stimulating and alluring.”
—Eleanor Robson Belmont (1878–1979)