Shakespeare's Day To The Interregnum
Shakespeare wrote the role of Hamlet for Richard Burbage, tragedian of The Lord Chamberlain's Men: an actor with a capacious memory for lines, and a wide emotional range. Hamlet appears to have been Shakespeare's fourth most popular play during his lifetime, eclipsed only by Henry VI Part 1, Richard III and Pericles. Although the story was set many centuries before, at The Globe the play was performed in Elizabethan dress.
Hamlet was acted by the crew of the ship Dragon, off Sierra Leone, in September 1607. The play was first performed in South East Asia (present's Indonesia) in 1609. Court performances occurred in 1619 and in 1637, the latter on 24 January at Hampton Court Palace. G R Hibbard argues that, since Hamlet is second only to Falstaff among Shakespeare's characters in the number of allusions and references in contemporary literature, the play must have been performed with a frequency missed by the historical record.
Read more about this topic: Hamlet In Performance
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“There’s rosemary, that’s for remembrance; pray you, love,
remember. And there is pansies, that’s for thoughts.”
—William Shakespeare (1564–1616)
“The skylines lit up at dead of night, the air- conditioning systems cooling empty hotels in the desert and artificial light in the middle of the day all have something both demented and admirable about them. The mindless luxury of a rich civilization, and yet of a civilization perhaps as scared to see the lights go out as was the hunter in his primitive night.”
—Jean Baudrillard (b. 1929)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)