Guy Maddin - Short Films

Short Films

  • Night Mayor (2009)
  • The Little White Cloud that Cried (2009)
  • Send Her to the Electric Chair (2009)
  • Glorious (2009)
  • Spanky: To the Pier and Back (2008)
  • Odin's Shield Maiden (2007)
  • Nude Caboose (2006)
  • My Dad Is 100 Years Old (2006) -- A portrait of Roberto Rossellini, where he is depicted as a giant pillow tummy. Starring his daughter Isabella Rossellini
  • Sissy Boy Slap Party (II)(2004) -- Included on the DVD of The Saddest Music in the World in R1.
  • Sombra Dolorosa (2004) -- Included on the DVD of The Saddest Music in the World in R1.
  • A Trip to the Orphanage(2004) -- Included on the DVD of The Saddest Music in the World in R1.
  • Fancy, Fancy Being Rich (2002)
  • The Heart of the World (2000)
  • Fleshpots of Antiquity (2000)
  • Hospital Fragment (1999)
  • Maldoror: Tygers (1998)
  • The Cock Crew or Love-Chaunt of the Chimney (1998)
  • The Hoyden or Idylls of Womanhood (1998)
  • Imperial Orgies or The Rabbi of Bacharach (1996)
  • The Hands of Ida (1995)
  • Sissy Boy Slap Party or The Coming Terror (1995)
  • Odilon Redon or The Eye Like a Strange Balloon Mounts Toward Infinity (1995, Toronto International Film Festival award winner)
  • Sea Beggars or The Weaker Sex (1994)
  • The Pomps of Satan (1993)
  • Indigo High-Hatters (1991)
  • Tyro (1990)
  • BBB (1989)
  • Mauve Decade (1989)
  • The Dead Father (1986)

Read more about this topic:  Guy Maddin

Famous quotes containing the words short and/or films:

    It is not growing like a tree
    In bulk, doth make man better be,
    Or standing long an oak, three hundred year,
    To fall a log at last, dry, bald, and sere:
    A lily of a day
    Is fairer far in May
    Although it fall and die that night;
    It was the plant and flower of light.
    In small proportions we just beauties see,
    And in short measures life may perfect be.
    Ben Jonson (1572–1637)

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)