Gustave Kahn - Principal Works

Principal Works

  • Palais nomades (1887)
  • Les Chansons d'amant (1891)
  • Domaine de fée (1895)
  • Le Roi fou (1896)
  • La Pluie et le beau temps (1896)
  • Limbes de lumières (1897)
  • Le Livre d'images (1897)
  • Premiers poèmes (1897)
  • Le Conte de l'or et du silence (1898) translated by Brian Stableford as The Tale of Gold and Silence (2011) ISBN 978-1-61227-063-0
  • Les Petites Ames pressées (1898)
  • Le Cirque solaire (1898)
  • Les Fleurs de la passion (1900)
  • L'Adultère sentimental (1902)
  • Symbolistes et décadents (1902)
  • Odes de la "Raison" (1902 réédité aux Editions du Fourneau 1995)
  • Contes hollandais (1903)
  • La Femme dans la caricature française (1907)
  • Contes hollandais (deuxième série) (1908)
  • La Pépinière du Luxembourg (1923)
  • L'Aube enamourée (1925)
  • Mourle (1925)
  • Silhouettes littéraires (1925)
  • La Childebert (1926)
  • Contes juifs (1926 réédité chez "Les Introuvables" 1977)
  • Images bibliques (1929)
  • Terre d'Israël (1933)

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    There are three principal means of acquiring knowledge available to us: observation of nature, reflection, and experimentation. Observation collects facts; reflection combines them; experimentation verifies the result of that combination. Our observation of nature must be diligent, our reflection profound, and our experiments exact. We rarely see these three means combined; and for this reason, creative geniuses are not common.
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    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
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