Influence
Courbet was admired by many younger artists. Claude Monet included a portrait of Courbet in his own version of Le dejeuner sur l'herbe from 1865–1866. Courbet's particular kind of realism influenced many artists to follow, notably among them the German painters of the Leibl circle, James McNeill Whistler, and Paul Cézanne. Courbet's influence can also be seen in the work of Edward Hopper, whose Bridge in Paris (1906) and Approaching a City (1946) have been described as Freudian echoes of Courbet's The Source of the Loue and The Origin of the World.
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“We could not well camp higher, for want of fuel; and the trees here seemed so evergreen and sappy, that we almost doubted if they would acknowledge the influence of fire; but fire prevailed at last, and blazed here, too, like a good citizen of the world.”
—Henry David Thoreau (1817–1862)
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—Mrs. William C. Gannett, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 5, ch. 8, by Ida Husted Harper (1922)