Gustav Strube - Selected Works

Selected Works

Opera
  • Ramona (1916)
  • The Captive (1938)
Orchestra
  • Lorelei, Symphonic Poem
  • Narcissus and Echo (Malfilâtre), Symphonic Poem
  • A Peace Overture (1945)
  • Puck, Comedy Overture (1910)
  • Sinfonietta (Little Symphony)
  • Symphonic Prologue
  • Symphony in B minor (1910)
  • Eine Walpurgisnacht, Symphonic Poem
Concertante
  • Longing for viola and orchestra (1905); after the poem by William Lyman Johnson; dedicated to and premiered by Émile Férir with the Boston Symphony Orchestra
  • Fantastic Dance for viola and orchestra (1906); dedicated to and premiered by Émile Férir with the Boston Symphony Orchestra
  • Concerto in F♯ minor for violin and orchestra (1907)
  • Concerto in B minor for violin and orchestra (1927)
  • Concerto for violin and orchestra (1943)
  • Élégie for cello and orchestra (1907)
  • Romance in B♭ major for violin and orchestra (1903)
Chamber music
  • Berceuse for viola and piano (1908)
  • Elegy and Serenade for string quartet (with double bass ad libitum) or string orchestra, Op.9 (1902)
  • Concertino in D major for violin and piano (1909)
  • Legato, Tempo di Valse for piano (1902)
  • Mirages, 6 Pieces for violin and piano (1914)
  • Rêverie in A minor for violin and piano (1906)
  • Sonata in E minor for violin and piano (1924)
  • Sonata in D minor for viola and piano (1925)
  • Sonatina for viola and Piano (1943)
  • Ein Tanz (A Dance) in D minor for violin and piano (1906)
  • Trio for violin, cello and piano (1928)
  • Two Pictures for violin and piano (1924)
  • Vier kleine Stimmungsbilder (Four Little Mood-Pictures) for violin and piano (1908)
  1. Abendglocken (Sunset Chimes)
  2. Mondscheinzauber (Magic Moonlight)
  3. Ein Märchen (A Fairy Tale)
  4. Morgen (Morning)

Read more about this topic:  Gustav Strube

Famous quotes containing the words selected and/or works:

    The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.
    Walter Bagehot (1826–1877)

    In the works of man, everything is as poor as its author; vision is confined, means are limited, scope is restricted, movements are labored, and results are humdrum.
    Joseph De Maistre (1753–1821)