Gus Edwards (songwriter) - Broadway Works

Broadway Works

Note: All shows are musicals unless otherwise stated.

  • Hodge, Podge & Co. (1900) - featured songwriter
  • The Wizard of Oz (1903) interpolated songs with Will D. Cobb
    • "Rosalie"
    • "I Love Only One Girl in the Wide, Wide World"
    • "The Tale of a Cassowary"
    • "Johnnie I'll Take You"
    • "I'll Never Love Another Love Like I Love You"
  • The Medal and the Maid (1904) - featured composer for "In Zanzibar"
  • When We Were Forty-one (1905) - composer (for twelve out of fourteen numbers)
  • Breaking Into Society (1905) - co-composer and co-lyricist
  • His Honor the Mayor (1906) - contributing composer and lyricist
    • Revived again in 1906, twice in 1907
  • The Blue Moon (1906) - featured composer for "(Don't You Think It's) Time to Marry"
  • A Parisian Model (1906) - featured co-songwriter for "I (Just) Can't Make My Eyes Behave"
    • Revived in 1908
  • Ziegfeld Follies of 1907 (1907) - revue - featured composer for "That's What the Rose Said to Me" and "On the Grand Old Sands"
  • The Hired Girl's Millions (1907) - featured songwriter for "Where the River Shannon Flows"
  • Hip! Hip! Hooray! of 1907 (1907) - composer
  • The-Merry-Go-Round (1908) - composer (for all but three numbers)
  • School Days (1908) - composer, co-lyricist, producer
  • Miss Innocence (1908) - featured composer and lyricist for "What Kind of a Wife to Choose (What Kind of a Wife Does a Man Like Best)"
  • Ziegfeld Follies of 1909 (1909) - revue - featured composer for "My Cousin Caruso (from Miss Innocence)" from Miss Innocence and "Up! Up! Up! in My Aeroplane"
  • Ziegfeld Follies of 1910 (1910) - revue - co-bookwriter and featured composer for "Look Me Over Carefully (and Tell Me Will I Do)", "Sweet Kitty Bellairs", "Kidland", "Our American Colleges", "In the Evening (In de Evenin')", "The Black Cat", "A Woman's Dream", "Mr. Earth and His Comet Love (The Comet and the Earth)" and "The Waltzing Lieutenant"
  • Broadway Sho-Window (1936) - revue - composer, producer and director

Posthumously:

  • Tintypes (1980) - revue - featured songwriter

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    His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.
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