Flow of Raw Material
The workflow of the manufacturing process consisted of a few steps that required a great amount of skill. Batches of silver were melted in crucibles with the addition of copper for a subtler alloy. The melted silver was cast into flat ingots and hammered into intermediate plates. For the relief work, the sheet-silver was annealed to allow shapes to be beaten into high repoussé; these rough shapes were then filled with pitch from the back to make them firm enough for further detailing with punches and tracers. The pitch was melted out, areas of pattern were gilded, and the eyes of the larger figures were inlaid with glass. The plates were probably worked in a flat form and later bent into curves to solder them together.
It is generally agreed that the Gundestrup cauldron was the work of multiple silversmiths. Using scanning electron microscopy, Benner Larson has identified 15 different punches used on the plates, falling into three distinct tool sets. No individual plate has marks from more than one of these groups, and this fits with previous attempts at stylistic attribution, which identify at least three different silversmiths. Multiple artisans would also explain the highly variable purity and thickness of the silver.
Read more about this topic: Gundestrup Cauldron
Famous quotes containing the words raw material, flow of, flow, raw and/or material:
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)
“Opinionated writing is always the most difficult ... simply because it involves retaining in the cold morning-after crystal of the printed word the burning flow of molten feeling.”
—Gavin Lyall (b. 1932)
“Opinionated writing is always the most difficult ... simply because it involves retaining in the cold morning-after crystal of the printed word the burning flow of molten feeling.”
—Gavin Lyall (b. 1932)
“It began with begging.
In the beginning it was all God’s icebox
and everyone ate raw fish or animals
and there was no fire at night to dance to,
no fire at day to cook by.”
—Anne Sexton (1928–1974)
“So in accepting the leading of the sentiments, it is not what we believe concerning the immortality of the soul, or the like, but the universal impulse to believe, that is the material circumstance, and is the principal fact in this history of the globe.”
—Ralph Waldo Emerson (1803–1882)