Architecture
The main frame of the skyscraper rises 36 stories, capped by two asymmetric spires, one extending for four additional stories. The roof height of the building is 496 ft (151 m), the top floor is 489 feet (149 m), and the spire reaches 632 ft (192.6 m). The exterior blends brickwork with tile, limestone, and terra cotta. The building's interior is lavishly decorated with mosaic and Pewabic and Rookwood tile. The semi-circular exterior domes are filled with Pewabic Pottery; Mary Chase Perry Stratton worked closely with the architect in the design of the symbolic decorations. (See Savage, infra.) Its nickname, Cathedral of Finance, alludes both to the building's resemblance to a cathedral, with its tower over the main entrance and octagonal apse at the opposite end and to New York City's Woolworth Building, which had earlier been dubbed the Cathedral of Commerce. Native American themes are common inside and outside the building. Wirt C. Rowland, of the Smith Hinchman & Grylls firm, was the building's architect while Corrado Parducci created the two sculptures flanking the Griswold Street entrance. The building includes works by muralist Ezra Winter. Rowland's attention to detail was meticulous. He supervised the creation of bricks to achieve the desired color for the exterior and designed furniture for the bank's offices. His attention went as far as designing tableware, linens and waitress uniforms for a restaurant in the building.
Read more about this topic: Guardian Building
Famous quotes containing the word architecture:
“Art is a jealous mistress, and if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider, and should be wise in season and not fetter himself with duties which will embitter his days and spoil him for his proper work.”
—Ralph Waldo Emerson (1803–1882)
“Defaced ruins of architecture and statuary, like the wrinkles of decrepitude of a once beautiful woman, only make one regret that one did not see them when they were enchanting.”
—Horace Walpole (1717–1797)
“In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, High-Tech architecture is, of course, no different in spirit—if totally different in form—from all the romantic architecture of the past.”
—Dan Cruickshank (b. 1949)