Production
The original Gremlins was a financial success, and Warner Bros. asked its director Joe Dante to make a sequel straight away. Dante declined, because he saw Gremlins as having a proper ending, and thus a sequel would only be meant to be profitable. Moreover, the original film was a taxing experience for Dante, and he wanted to move on. Work on Gremlins 2 continued without him, as the studio approached various directors and writers. Storylines considered included sending the gremlins to cities like Las Vegas or even the planet Mars. After these ideas fell through, the studio returned to Dante, who agreed to make the sequel after receiving the rare promise of having complete creative control over the movie; he also received a budget triple that of the original film's. Dante later acknowledged that by this point too much time had passed between the films, thus possibly reducing Gremlins 2's appeal.
Gremlins 2 was shot in New York in June 1989, the film was released in 1990, and as the filmmakers later noted, this was a time when cable television, genetics, and frozen yogurt were becoming more common and influential. This left a mark on Gremlins 2. Gremlins 2 exaggerated what could be seen on cable television at the time, although as the filmmakers noted in 2002, that humour might be lost on present-day audiences. Cable television later grew to provide the same variety. Genetics in 1990 is reflected in the laboratory scene in Gremlins 2, and frozen yogurt is what the mogwai eat after midnight.
Read more about this topic: Gremlins 2: The New Batch
Famous quotes containing the word production:
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)