Fuentes is credited by some as a model for Hemingway's protagonist, Santiago, in The Old Man and the Sea, though this is most likely the result of Fuentes' longevity and how he purposefully grew into the incarnation of the role of Santiago for tourists visiting Cojimar.
Hemingway himself stated that Santiago was "based on no one in particular".
That Fuentes worked closely and knew Hemingway very well is undeniable. However, if anyone can claim credit for being the inspiration for Santiago, it was Hemingway's original first mate, Carlos Gutierrez.
Gutierrez had been fishing the Gulf Stream for 40 years and was already an old man when Hemingway first met him. Hemingway would credit the old fisherman with teaching him everything he knew about catching marlin, and credited Gutierrez with telling him the Cuban tales he used as grist to write "On The Blue Water: A Gulf Stream Letter".
Additionally, Hemingway laid out the plot outline for "The Old Man And The Sea" and how Gutierrez's assistance proved vital to the story's creation and evolution in a letter written in February 1939 to his editor, Max Perkins:
"One (story) about the old commercial fisherman who fought the swordfish all alone in his skiff for 4 days and four nights and the sharks finally eating it after he had it alongside and could not get into the boat. That's a wonderful story of the Cuban coast. I'm going out with old Carlos in his skiff so as to get it all right. Everything he does and everything he thinks in all that long fight with the boat out of sight of all the other boats all alone on the sea. It's a great story if I can get it right. One that would make the book."
Fuentes would spend his later years charging tourists $10 or $20 to take his picture and regale them with stories of his domestic partenership with Ernest Hemingway. (Actually it was his grandson who would joke around, telling tourists to always leave Fuentes some money for his cigars)
Read more about this topic: Gregorio Fuentes
Famous quotes containing the words man and/or sea:
“Two things of opposite natures seem to depend
On one another, as a man depends
On a woman, day on night, the imagined
On the real. This is the origin of change.
Winter and spring, cold copulars, embrace
And forth the particulars of rapture come.”
—Wallace Stevens (1879–1955)
“The only sin is limitation. As soon as you once come up with a man’s limitations, it is all over with him. Has he talents? has he enterprise? has he knowledge? It boots not. Infinitely alluring and attractive was he to you yesterday, a great hope, a sea to swim in; now, you have found his shores, found it a pond, and you care not if you never see it again.”
—Ralph Waldo Emerson (1803–1882)