Irish Industrial Exhibition Building
Visitors were struck with the richness and splendor of the building more than by any of the objects that it contained. The critics enjoyed the magnificent building for "the rapidity with which it was erected" (a few months), "the sufficiency of its plans, and the enormous mass of its carefully worked materials."
The building is described by The Illustrated Dublin Exhibition Catalogue, which says:
- Presenting a front to Merrion-square of 300 feet, the main or centre feature of elevation consists of a semicircular projection, which forms the Eastern termination of the Central Hall. This in a noble apartment of 425 feet in length, and 100 feet in height, covered by a semicircular roof trellis robs, in one span of 100 feet. On each side of the Centre upon trellis ribs, in one span of 100 feet. On each side of the Centre Hall, and running parallel to it for the same length, are two halls 50 feet wide, with domed roofs, similar to that which covers the main nave or hall of the building. The Height from the floor to the roof of each of these halls is 65 feet. They are approached through passages from the Centre Hall. In addition to these three halls are four compartments of 25 feet wide, running the whole length of the building; two are placed between the Centre Hall and the side halls, and two on each side of the latter; divided into sections of 25 feet square, forming convenient divisions for the purposes of classification. Over these compartments are spacious galleries, also running the length of the building, which not only afford increased space for exhibition, but form an agreeable promenade from whence the effect of the three halls may be seen to greater advantage. To the south of the Central Hall, left of the spectator, is a hall devoted to foreign contributions; adjacent to which is the Fine Arts Court, corresponding in position to the Machinery Court. The northern and southern courts have galleries running round them, from which the spectator also looks into the Central Court. The ceiling of the halls being divided into panels formed by the trellis ribs, and the other constructive parts of the building, has allowed ample opportunity for effective decoration. Light is admitted from above in one unbroken and equally distributed body. The construction of the building is strongly marked on the elevation, and forms in fact the ornamental character of the design. There are also external galleries which are attractive features. The materials of the building are iron, timber, and glass.
On May 12, 1853, when the exhibition opened, the architect (who had also been the architect for the industrial exhibition held in Cork the previous year), John Benson, was granted a knighthood. Part of the roof blew off during a storm on Christmas Eve, the year before opening.
Read more about this topic: Great Industrial Exhibition (1853)
Famous quotes containing the words irish, industrial, exhibition and/or building:
“Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.”
—W.H. (Wystan Hugh)
“I believe in human liberty as I believe in the wine of life. There is no salvation for men in the pitiful condescension of industrial masters. Guardians have no place in a land of freemen.”
—Woodrow Wilson (18561924)
“The hardiest skeptic who has seen a horse broken, a pointer trained, or has visited a menagerie or the exhibition of the Industrious Fleas, will not deny the validity of education. A boy, says Plato, is the most vicious of all beasts; and in the same spirit the old English poet Gascoigne says, A boy is better unborn than untaught.”
—Ralph Waldo Emerson (18031882)
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour daywho works at a job and then takes on a second shift with the kids every nightis much more likely to adopt the survivors motto: If it works, Ill use it. From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just dont get it.”
—Ron Taffel (20th century)