Grand Puba - Biography

Biography

He made his debut with the group Masters of Ceremony. Its album Dynamite (1988) was hailed by critics, but probably due to lack of sales, the group soon disbanded, and Puba emerged as the lead emcee of Brand Nubian. After their innovative and versatile debut album One for All (1990)—covering areas from reggae-influenced hip hop music to new jack swing—Puba left the group after disputes with its other members and embarked on a solo career. He became a member of the group again around 1997, recording a few tracks for various soundtracks leading up to the full-length album Foundation in '98. In 1999, Puba and group mate Sadat X performed on the track "Once Again" on Handsome Boy Modeling School's concept album So... How's Your Girl? Following the group's 2004 effort Fire in the Hole, a rejuvenated Puba appeared on tracks with Beanie Sigel ("Bread and Butter," also featuring groupmate Sadat X), Missy Elliott ("My Struggles," featuring his onetime collaborator Mary J. Blige), and Ugly Duckling ("Something's Going Down Tonight").

In 2009, Grand Puba released his fourth solo album, Retroactive, featuring production from hip-hop veterans like Q-Tip, Large Professor, Kid Capri as well as his fellow Brand Nubian's. Puba also appeared on the heavy posse-cut "Fresh" together with Cormega, KRS-One, Big Daddy Kane, DJ Red Alert and Parrish Smith of EPMD.

On the song "Old School" by Tupac Shakur Grand Puba was sampled and used in the hook. The sample originates from Grand Puba's verse on the song "Dedication" by Brand Nubian.

Read more about this topic:  Grand Puba

Famous quotes containing the word biography:

    Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.
    Rebecca West (1892–1983)

    A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
    André Maurois (1885–1967)

    As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.
    Henry David Thoreau (1817–1862)