Gallery
- Around the Park
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#3&4: Doorways of the Greek Revival townhouses, design attributed to Alexander Jackson Davis, "one of America's most versatile 19th century architects"
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#15: The National Arts Club, former home of Samuel J. Tilden, remodeled for Tilden by Calvert Vaux
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19 Gramercy Park South, built in 1845 and remodeled in 1887 for Stuyvesant Fish. John Barrymore lived here while working on Broadway.
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#28: The Brotherhood Synagogue was a stop on the Underground Railroad when it was a Quaker meeting house The Travelers' Aid Society grew out of one of the congregation's activities.
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#36: An early apartment building (1905), it was once called the "Gramercy Clubhouse" Designed by James Riley Gordon
- Around the neighborhood
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Italianate townhouses on East 18th Street (1853), with cast-iron verandas reminiscent of the French Quarter of New Orleans.
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The former Children's Court, now part of Baruch College of CUNY
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Steeple of Epiphany Roman Catholic Church "The most positive modernist religious statement on Manhattan Island to date."
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Pete's Tavern, where urban legend has it that O. Henry wrote "The Gift of the Magi", was formerly the Portman Hotel.
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A converted carriage house on East 19th Street between Irving Place and Third Avenue, a block often referred to as "Block Beautiful"
Read more about this topic: Gramercy Park
Famous quotes containing the word gallery:
“Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
—Henry David Thoreau (18171862)
“To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
—Thomas Henry Huxley (182595)
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de Medici placed beside a milliners doll.”
—Herman Melville (18191891)