Graham Greene - Works

Works

  • The Man Within (1929)
  • The Name of Action (1930)
  • Rumour at Nightfall (1931)
  • Stamboul Train (1932)
  • It's a Battlefield (1934)
  • England Made Me (also published as The Shipwrecked) (1935)
  • A Gun for Sale (1936)
  • Brighton Rock (1938)
  • The Confidential Agent (1939)
  • The Power and the Glory (1940)
  • The Ministry of Fear (1943)
  • The Heart of the Matter (1948)
  • The Third Man (1949)
  • The End of the Affair (1951)
  • Twenty-One Stories (1954) (short stories)
  • Loser Takes All (1955)
  • The Quiet American (1955)
  • Our Man in Havana (1958)
  • A Burnt-Out Case (1960)
  • A Sense of Reality (1963) (short stories)
  • The Comedians (1966)
  • May We Borrow Your Husband? (1967) (short stories)
  • Travels with My Aunt (1969)
  • A Sort of Life (1971) (autobiography)
  • The Honorary Consul (1973)
  • The Human Factor (1978)
  • Doctor Fischer of Geneva (1980)
  • Ways of Escape (1980) (autobiography)
  • Monsignor Quixote (1982)
  • Getting to Know the General (1984) (nonfiction Panama memoir)
  • The Tenth Man (1985)
  • The Captain and the Enemy (1988)
  • The Last Word (1990) (short stories)
  • No Man's Land (2005)

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Famous quotes containing the word works:

    “...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
    —Sarah N. Cleghorn (1876–1959)

    “Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
    —Jane Jacobs (b. 1916)

    “In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.”
    —Samuel Richardson (1689–1761)