Works
Her first work was the play Vegetable Medley (1985, Soho Repertory Theater, New York and Boston Center for the Arts, Boston, Massachusetts), an experimental work fusing elements of comedy and melodrama in a highly poeticised language. Her first novel, Give My Heart Ease (1989), received the New American Writing Award and was translated into Slovenian as Pomiri mi srce. Admired by some critics, others found its frank depiction of an abusive sexual relationship disturbing.
Her 1993 novel, Music for Glass Orchestra, garnered much critical acclaim for its wildly beautiful, surrealistic style. Set in Paris, it contains a wide-ranging discourse on the music of J.S. Bach, with special attention to the Sonatas and Partitas for Solo Violin. Her first collection of poetry, Elysian Sonnets and Other Poems (1990) was published as a chapbook in Paris.
In 1995 Andreacchi was a collaborator in the project Violin Music in the Age of Shopping, a work by avant-garde composer and violinist Jon Rose. For her contribution Andreacchi was made an Honorary Fellow of the Rosenberg Foundation (Sydney, Australia).
The novel Scarabocchio (1995), an architecturaly adventurous ‘inverted fugue’, is based on Goethe’s Italian Journey, and continues the discussion of Bach through the character of ‘Barton Beale’, a lightly fictionalized Glenn Gould. The short novel Poetry and Fear (2001) is set in the Berlin opera world, and uses the myth of Orpheus to explore themes of love and loss. Recent works show an increased emphasis on Christian spiritual themes. A continued interest in the culture of the far east is reflected in Two Brothers (2007), a version of the Korean pansori tale Heungbu and Nolbu.
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Famous quotes containing the word works:
“The works of the great poets have never yet been read by mankind, for only great poets can read them. They have only been read as the multitude read the stars, at most astrologically, not astronomically.”
—Henry David Thoreau (1817–1862)
“It [Egypt] has more wonders in it than any other country in the world and provides more works that defy description than any other place.”
—Herodotus (c. 484–424 B.C.)
“The discovery of Pennsylvania’s coal and iron was the deathblow to Allaire. The works were moved to Pennsylvania so hurriedly that for years pianos and the larger pieces of furniture stood in the deserted houses.”
—For the State of New Jersey, U.S. public relief program (1935-1943)