Popular Culture
As a film scorer, Goodwin has worked on such films as FernGully: The Last Rainforest, The Majestic, Glory Road, National Treasure, Remember the Titans, Armageddon, Star Trek: Nemesis, The Incredibles, Hot Rod, Get Smart, Snakes on a Plane, Race to Witch Mountain, Coach Carter, Bad Boys II, Con Air, Gone in 60 Seconds, the classic cult film Attack of the Killer Tomatoes, and Enemy of the State. His work in television includes music for the TV series Animaniacs, Pinky and the Brain, Tom and Jerry, Histeria!, Road Rovers, and Freakazoid!. His recording history includes performances with artists as diverse as Mel Tormé, Ray Charles and Christina Aguilera. Goodwin himself has received many individual awards, including a recent Grammy for Grammy Award for Best Instrumental Arrangement for his work on the feature film The Incredibles. He is also a three time Emmy winner.
Goodwin has also been a guest conductor for such groups as the London Symphony Orchestra and Seattle Symphony Orchestra.
Read more about this topic: Gordon Goodwin
Famous quotes containing the words popular culture, popular and/or culture:
“Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.”
—Adrienne Rich (b. 1929)
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)