Criticism
The term was invented as a criticism of people who perceive that God only acts in the gaps, and who restrict God's activity to such "gaps". It has also been argued that the God-of-the-gaps view is predicated on the assumption that any event which can be explained by science automatically excludes God; that if God did not do something via direct action, God didn't do it at all. "God of the gaps" argument has been traditionally advanced by scholarly Christians, was intended as a criticism against weak or tenuous faith, not as a statement against theism or belief in God.
According to John Habgood in The Westminster Dictionary of Christian Theology, the phrase is generally derogatory, and is inherently a direct criticism of a tendency to postulate acts of God to explain phenomena for which science has yet to give a satisfactory account. Habgood also states:
"It is theologically more satisfactory to look for evidence of God's actions within natural processes rather than apart from them, in much the same way that the meaning of a book transcends, but is not independent of, the paper and ink of which it is comprised."
From a scientific viewpoint, God-of-the-gaps is viewed as the fallacy of claiming any gap in our scientific knowledge as evidence of God's action, as opposed to admitting that we do not currently have an answer or anticipating that, should an answer come, it will be a scientific one that leaves no role for God. In this vein, Richard Dawkins dedicates a chapter of his book, The God Delusion to criticism of the God-of-the-gaps fallacy.
Read more about this topic: God Of The Gaps
Famous quotes containing the word criticism:
“I hold with the old-fashioned criticism that Browning is not really a poet, that he has all the gifts but the one needful and the pearls without the string; rather one should say raw nuggets and rough diamonds.”
—Gerard Manley Hopkins (1844–1889)
“Parents sometimes feel that if they don’t criticize their child, their child will never learn. Criticism doesn’t make people want to change; it makes them defensive.”
—Laurence Steinberg (20th century)
“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
—Walter Benjamin (1892–1940)