GO Project - The School Music Program: Description and Standards

The School Music Program: Description and Standards

The two editions of The School Music Program are considered to be the precursors of the National Standards for Arts Education, published in 1994 in line with Goals 2000. The document includes ten rationales for music, ten outcomes of the successful music program (which closely resemble the nine National Standards of 1994), and a description of the guidelines for curriculum and implementation. Throughout the publication, two levels of standards are provided: basic and quality. The body of the publication is devoted to the following areas:

  • music in early childhood
  • elementary school
  • middle school and junior high
  • high school

There are a few paragraphs devoted to beyond high school, conceding the difficulty in provided explicit standards for musical learning beyond high school. The four main sections include the following:

  • a list of skills that students should have by the completion of each grade level. The skills are divided into performing/reading, listening/describing, and valuing.
  • standards for implementation including scheduling/course offerings, staffing, materials/equipment, and facilities.

The conclusion of the document is a brief description of evaluation, including six principles of evaluation.

Read more about this topic:  GO Project

Famous quotes containing the words school, music, description and/or standards:

    Cinema, radio, television, magazines are a school of inattention: people look without seeing, listen in without hearing.
    Robert Bresson (b. 1907)

    And this shall be for music when no one else is near,
    The fine song for singing, the rare song to hear!
    That only I remember, that only you admire,
    Of the broad road that stretches and the roadside fire.
    Robert Louis Stevenson (1850–1894)

    Everything to which we concede existence is a posit from the standpoint of a description of the theory-building process, and simultaneously real from the standpoint of the theory that is being built. Nor let us look down on the standpoint of the theory as make-believe; for we can never do better than occupy the standpoint of some theory or other, the best we can muster at the time.
    Willard Van Orman Quine (b. 1908)

    The standards of His Majesty’s taste made all those ladies who aspired to his favour, and who were near the Statutable size, strain and swell themselves, like the frogs in the fable, to rival and bulk and dignity of the ox. Some succeeded, and others burst.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)