The Present Theatre
By the late 1980s the theatre's expansion, which had proceeded in a somewhat piecemeal fashion, included an agglomeration of outbuildings which housed restaurants, dressing rooms, storage and other facilities. It became clear to George Christie that a completely new theatre - and not just an enlargement of the old one - was necessary. Having chosen the architect Michael Hopkins of Hopkins Architects in a design competition, Christie announced in 1990 that a new theatre, capable of seating 1,200 people, would be constructed in 1992.
The old theatre hosted its last festival in 1992, and construction of a brand-new theatre was under way. It was completed at a cost of some £34 million, 90 per cent of which was raised through donations, so giving the donors control over 28 per cent of the seats. The inaugural performance in the new theatre on 28 May 1994, given sixty years to the day after the old theatre's first performance, was once again Le nozze di Figaro.
The design of the theatre, a large brick oval building, has resulted in a four-level, horseshoe-shaped auditorium with main level seating, two balconies, and a gallery topped with a circular roof. The over sixty-foot-high stage building is semi-circular in shape and allows for the efficient flying and storage of scenery.
The acoustics, by Derek Sugden and Rob Harris of Arup Acoustics, have been widely acclaimed.
Sales of festival tickets have always been high, but in the 2011 season a new record was set with 99.3 percent of all tickets sold. In the same season, two operas were relayed live online via The Guardian's website, reaching 40,000 viewers worldwide.
Read more about this topic: Glyndebourne
Famous quotes containing the words present and/or theatre:
“The lowest and vilest alleys of London do not present a more dreadful record of sin than does the smiling and beautiful countryside.”
—Sir Arthur Conan Doyle (1859–1930)
“Mankind’s common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, life’s supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a man’s frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.”
—William James (1842–1910)