Girugamesh (album) - Music

Music

The album features a notably heavier sound than their previous album, with a more "aggressive, destructive, and power" sound. Drummer Ryo comments that during touring, the band felt as if "there was something missing in our songs", and the band "wanted to make our songs a little bit harder with an "edge." The band collaborated on "Patchwork", "Stupid" and "Crazy-Flag" with label-mates Tatsurou and Miya of Mucc, and with Miya as the co-producer for the album.

Composition on Girugamesh is fairly consistent with other albums, with the lyrics being written by vocalist Satoshi, and most of the music being written by drummer Ryo, with minimal music composed by Nii and Shuu. The lyrics in the album are often about controversial subjects such as war and hatred. The lyricist, Satoshi, has stated that his lyrics were often written on tour and the "main inspirations are from situations and human relationships me". The music, being mainly composed by Ryo, was often produced when "sit around at home playing piano, guitar or programming some drum sequences," and the intention was to "make the songs shorter and more efficient" with the heavy sound.

Read more about this topic:  Girugamesh (album)

Famous quotes containing the word music:

    During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.”
    —Administration in the State of Texa, U.S. public relief program (1935-1943)

    Orpheus with his lute made trees
    And the mountain tops that freeze
    Bow themselves when he did sing.
    To his music plants and flowers
    Ever sprung, as sun and showers
    There had made a lasting spring.
    William Shakespeare (1564–1616)

    For I have learned
    To look on nature, not as in the hour
    Of thoughtless youth, but hearing oftentimes
    The still, sad music of humanity.
    William Wordsworth (1770–1850)