Features
The material included in the books tended to be entirely "proper" prose and poetry, usually of a sentimental or religious nature, often by well-known authors of the day, such as (in England) Mary Shelley, Charles Dickens, Lord Byron, Robert Southey, Walter Scott, William Wordsworth, and Robert Browning, and (in America) authors such as Nathaniel Hawthorne, Lydia Maria Child, Edgar Allan Poe, John Greenleaf Whittier, Ralph Waldo Emerson, Frances S. Osgood, and Henry Wadsworth Longfellow.
A notable feature of gift books were their decorative aspect. They featured increasingly lavish bindings, ranging from glazed paper to embossed silk or embossed and inlaid leather with mother of pearl. Their size increased over time as well as their interior decoration. Pages often featured flowery borders, and the books were copiously illustrated with engravings or colored plates. An inscription plate was often included for the gift giver to inscribe to the recipient.
The material included was usually original but sometimes in the cheaper volumes may have been reprinted. Usually the books included the year in the title but in some cases, this was omitted, and the publisher would sell the volume's remainders the next year. In some cases an old annual would be reprinted with a new name, or with just the lead article and some illustration plates changed, or even renamed using a more popular name from a rival publisher. These practices sometimes make it difficult to construct correct bibliographies, and may have been one reason why "the whole tribe of annuals fell into something of disrepute."
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Famous quotes containing the word features:
““It looks as if
Some pallid thing had squashed its features flat
And its eyes shut with overeagerness
To see what people found so interesting
In one another, and had gone to sleep
Of its own stupid lack of understanding,
Or broken its white neck of mushroom stuff
Short off, and died against the windowpane.””
—Robert Frost (1874–1963)
“Art is the child of Nature; yes,
Her darling child, in whom we trace
The features of the mother’s face,
Her aspect and her attitude.”
—Henry Wadsworth Longfellow (1807–1882)
“All visible objects, man, are but as pasteboard masks. But in each event—in the living act, the undoubted deed—there, some unknown but still reasoning thing puts forth the mouldings of its features from behind the unreasoning mask. If man will strike, strike through the mask!”
—Herman Melville (1819–1891)