Theatre and Film
Mulligan's first film appearance was probably with Gene Krupa's orchestra playing alto saxophone in the 1946 RKO short film Follow That Music. Mulligan had small roles in the films I Want to Live! (1958 - as a jazz combo member), The Rat Race (1960 - in which he appears as a tenor saxophonist instead of playing his usual baritone sax), The Subterraneans (1960) and Bells Are Ringing (1960). Mulligan also performed numerous times on television in a variety of settings during his career.
As a film composer, Mulligan wrote music for A Thousand Clowns (1965 - title theme) the film version of the Broadway comedy Luv (1967), the French films La Menace (1977) and Les Petites galères (1977 - with Ástor Piazzolla) and I'm Not Rappaport (1996 - title theme).
In 1974 Mulligan collaborated on a musical version of Anita Loos' play Happy Birthday. Although the creative team had great hopes for the work, it never made it past a workshop production at the University of Alabama. In 1978, Mulligan wrote incidental music for Dale Wasserman's Broadway play Play with Fire.
In 1995 the Hal Leonard Corporation released the video tape The Gerry Mulligan Workshop - A Master Class on Jazz and Its Legendary Players.
Read more about this topic: Gerry Mulligan
Famous quotes containing the words theatre and/or film:
“Compare ... the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.”
—John Berger (b. 1926)
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)