Gerrit Dou - Works

Works

  • 1623-65: The Night School (Rijksmuseum, Amsterdam)
  • 1628: Astronomer (Hermitage Museum, Saint Petersburg)
  • 1630s: Old Woman Reading a Lectionary (Rembrandt's Mother) (Rijksmuseum, Amsterdam)
  • 1630s: Portrait of a Girl (Manchester Art Gallery, UK)
  • 1631: Prince Rupert, (J. Paul Getty Museum, Los Angeles)
  • 1635-36: Still Life with a Boy Blowing Soap-Bubbles (National Museum of Western Art, Tokyo)
  • 1635-1640: Portrait of a Man (National Gallery, London)
  • 1637: An Interior with a Young Violinist (National Galleries of Scotland)
  • 1640s: Portrait of a Young Woman (National Gallery, London)
  • 1640-1645: Portrait of a Man (Hermitage Museum, Saint Petersburg)
  • 1642-1647: St. Jerome in the Desert (Memorial Art Gallery of the University of Rochester, New York)
  • 1645: The Schoolmaster (Fitzwilliam Museum, Cambridge)
  • 1646: Girl Chopping Onions (Royal Collection, London)
  • 1647: Still Life With Book and Purse(J. Paul Getty Museum, Los Angeles)
  • 1650: The Dutch Housewife (Louvre, Paris)
  • 1650s: The Young Mother (Gemäldegalerie, Berlin)
  • 1650s: Self Portrait (Rijksmuseum, Amsterdam)
  • 1650s: Self-portrait at the Window (Residenzgalerie, Salzburg)
  • 1652: The Quack (Museum Boymans-van Beuningen, Rotterdam)
  • 1653:The Physician (Christchurch Art Gallery Te Puna o Waiwhetu, Christchurch, New Zealand)
  • 1653: The Violin Player (Liechtenstein Palace, Vienna)
  • 1655: Old Woman Cutting Bread (Museum of Fine Arts, Boston)
  • 1655: Astronomer by Candlelight (J. Paul Getty Museum, Los Angeles)
  • 1658: The Young Mother (Mauritshuis, The Hague)
  • 1660-1665: Old Woman Unreeling Threads (Hermitage Museum, Saint Petersburg)
  • 1660-1665: Soldier Bather (Hermitage Museum, Saint Petersburg)
  • 1660-1665: Woman Bather (Hermitage Museum, Saint Petersburg)
  • 1660-1665: Selfportrait (Louvre, Paris)
  • 1663: The Dropsical Woman (Louvre, Paris)
  • 1663: Woman at a Window with a Copper Bowl of Apples and a Cock Pheasant (Fitzwilliam Museum, Cambridge)
  • 1665: A Lady playing a Clavichord (Dulwich Picture Gallery, London)
  • 1670: A Hermit Praying (Minneapolis Institute of Arts, Minnesota)
  • 1670: The Hermit (National Gallery of Art, Washington, D.C.)
  • 1670s: A Poulterer's Shop (National Gallery, London)
  • 1670-75: The Herring Seller (Hermitage Museum, Saint Petersburg)
  • Self Portrait (National Gallery, London)
  • Portrait of a Young Man (Fitzwilliam Museum, Cambridge)
  • Evening Light (Rijksmuseum, Amsterdam)
  • Young Man (The Hague)
  • The Cook (Louvre, Paris)
  • The Spinner (Gala-Salvador DalĂ­ Foundation)
  • The Spinning Reel (Fine Arts Museums of San Francisco)
  • The Reader (Fine Arts Museums of San Francisco)
  • Portrait of an Unknown Gentleman (Museum of Fine Arts at the University of Montana, Missoula)
  • Dog at Rest (Museum of Fine Arts, Boston)

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    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
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    We ourselves are Jews by birth and not Gentile sinners; yet we know that a person is justified not by the works of the law but through faith in Jesus Christ. And we have come to believe in Christ Jesus, so that we might be justified by faith in Christ, and not by doing the works of the law, because no one will be justified by the works of the law.
    Bible: New Testament, Galatians 2:15-16.